A spokesperson for CBS tells Variety, that The Talk‘s season premiere, initially set for September 18, is on hold, with plans for a new launch date under evaluation. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.Both The Talk and The Jennifer Hudson Show have postponed their return dates amidst criticism during the writers’ strike. Īnd if you liked this story, sign up for the weekly bbc.com features newsletter, called The Essential List. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter. Love film and TV? Join BBC Culture Film and TV Club on Facebook, a community for cinephiles all over the world. Mission: Impossible – Dead Reckoning Part One is on general release He can get audiences to watch him sprinting along the top of a train, but could he persuade them to watch him in a gentle romantic comedy or a political drama? That might be a mission impossible, even for him. The John Wick series, with Keanu Reeves (58), has demonstrated that action movies are currently the only way to revive an ailing career. As far as mainstream cinema is concerned, they have almost no option but to sign up for action movies, because Hollywood has pretty much abandoned the quieter mid-budget films that might have allowed them to deliver dialogue without throwing bad guys through windows at the same time. Still, while we're feeling sorry for those youthful actors who can't establish themselves as action superstars, we should spare a thought for those less youthful actors who can't establish themselves as anything else. That's different from turning on your TV and seeing Chris Hemsworth killing 1,000 people." "In the 80s, a blockbuster could be in the cinema all summer and people would keep talking about it. "There's so much content being pumped out that it's really hard for one franchise or star to stand out," De Semlyen says. But none of these has taken off, partly because they debuted on streaming services rather than at cinemas. There have been attempts to build non-superhero action franchises around younger actors, especially actors named Chris, eg The Gray Man with Ryan Gosling and Chris Evans, Extraction with Chris Hemsworth, and The Tomorrow War with Chris Pratt. "Steered by the shareholders and moneymen," wrote Wendy Ide in The Observer recently, "studios are more likely than ever to invest in the familiar, supposedly safe bets such as remakes of proven properties, franchises, movie adaptations of board and video games – anything, in fact, with a degree of name recognition." Today, Hollywood is even more fixated on well known "intellectual property", that is, brand names that audiences will be aware of before they go to the cinema. "They're instantly recognisable to the entire world - a priority for studios looking to rake in the box office dollars overseas." "Thanks to the wonders of endless TV repeats, the classics from the Stallone-Schwarzenegger-era are still weaning young audiences on action," wrote Patches in Vulture. It was 10 years ago that Matt Patches coined the term "geri-action movies" when the likes of Red, Taken, Escape Plan and The Expendables showed that stars in their 50s and above could still throw punches and fire machine guns. Why is Hollywood so dependent on grey-haired actors being violent? And they're all spring chickens compared to Indiana Jones himself, Harrison Ford, who turned 81 last Thursday. The main selling point of The Flash was the return of Michael Keaton (71) as Batman, Sylvester Stallone (77) and Dolph Lundgren (65) will soon be in the fourth Expendables film, Arnold Schwarzenegger (75) has a hit action-comedy series, FUBAR, on Netflix, Liam Neeson (71) will be in Retribution, releasing in August, and Denzel Washington (68) will be in The Equalizer 3, which is out in September. But in fact he is a mere stripling compared to Hollywood's other leading action heroes. What is so impressive about these energetic and frankly dangerous feats is that Cruise is 61, which seems like a ripe old age for such undertakings. Over the last decade, Cruise has concentrated almost exclusively on becoming an action megastar, applying his famously intense focus to devising and executing ever more elaborate stunts: in Mission: Impossible - Dead Reckoning Part One, he speeds off a cliff on a motorbike, and parachutes down to the valley below. Specifically, they love to see him fight, drive fast cars and leap from terrifying heights, which is lucky, because that's what he loves to do. Judging by the success of the new Mission: Impossible film on its opening weekend, audiences still love Tom Cruise.
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